: Wolfe traces how art systematically "got rid" of different elements over time—first realism, then representational objects, then the third dimension, and finally even paint itself—until art "disappeared up its own fundament" and re-emerged as pure theory.
Upon release, the book was widely vilified by art insiders who called it a "philistine utterance" and likened it to a "moustache painted on the Mona Lisa".
: He traces how art stripped away layers (realism, representation, even the third dimension) until it became almost entirely flat or conceptual, serving only the critics' written words.
; one must first accept and understand the complex critical theory before they can even perceive the "art". The Power of the Critics
In conclusion, "The Painted Word" is a thought-provoking and engaging collection of essays that showcase Tom Wolfe's unique writing style and his incisive analysis of art, culture, and society. If you're interested in exploring Wolfe's work further, "The Painted Word" is an excellent starting point.