Lena untangled herself, found the boat's keys tucked under a loose plank (she had planted them there last week), and started the engine. The electric motor whirred silently. She glided into the dark canal, leaving the apartment—and her captor—behind.
Director Anielle Webster, known for documentaries, brings a vérité style to the thriller genre. The camera lingers on grey skies, empty highways, and cheap motel rooms—making the audience feel the cold isolation of a fugitive. the escape aka de ontsnapping 2015 okru