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Karyn Kusama’s masterpiece is ostensibly a home-invasion thriller, but at its core, it is a film about a blended family dinner gone horribly wrong. The protagonist, Will, attends a dinner party at his ex-wife’s house, where she now lives with her new husband, David. The entire film bubbles with the specific horror of watching your children call another man "Dad." Kusama weaponizes the mundane anxieties of blended life: the subtle territorialism over art on the walls, the passive-aggressive toasts, the feeling of being a stranger in a house you once owned. By the time the cultish horror kicks in, the audience realizes the real terror was always the loss of identity within a replaced family unit. It reinforces the user's intent to consume only
Next time you watch a modern drama, look past the plot. Look at who sits at the dinner table. You’ll see the future of the family—not perfect, but present.