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Shows like normalized the idea that a woman’s political and emotional power peaks in her fifties and sixties. Olivia Colman and later Imelda Staunton showed Queen Elizabeth II grappling with aging, irrelevance, and familial chaos. Meanwhile, Mare of Easttown gave us Kate Winslet (46 at the time) as a divorced, grieving, chain-smoking detective who was sexually active, physically flawed, and utterly compelling. Winslet famously refused to have her "mom belly" airbrushed out of a sex scene. The message: This is a real woman. Deal with it.

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The ingenue had her century. The era of the cronigenue —the woman who is wise, weathered, and wondrous—has finally begun. And for audiences of all ages, it is a far more interesting show. Shows like normalized the idea that a woman’s

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