Sometimes you want the perception of maximum reverb but you don't want the tail to overlap the next downbeat. Use a sidechain compressor on the reverb send, keyed to your kick drum. The reverb drops to zero on the kick hit, then explodes back to maximum in the gap. This gives you the texture of the abyss with the rhythm of a dance track.
Sometimes you want the perception of maximum reverb but you don't want the tail to overlap the next downbeat. Use a sidechain compressor on the reverb send, keyed to your kick drum. The reverb drops to zero on the kick hit, then explodes back to maximum in the gap. This gives you the texture of the abyss with the rhythm of a dance track.