If you could provide more context or details about Maria Roswitha and the nature of her work, I could offer a more tailored and accurate response.
In her preface to her plays, Roswitha famously admitted to being captivated by Terence’s style and eloquence. However, she was deeply troubled by his subject matter. In a bold creative maneuver, she decided to "Christianize" the form. She utilized the structure, meter, and character dynamics of Roman comedy but inverted the moral content. Where Terence glorified worldly love and deceit, Roswitha substituted Christian virtue, martyrdom, and divine miracles. maria roswitha anal work