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For decades, mainstream Malayalam cinema largely erased caste or presented it as folklore. The new wave, especially the work of directors like Lijo Jose Pellissery and Dileesh Pothan, brought caste violence to the center. Ee.Ma.Yau. (2018) is a dark comedy about a poor Christian fisherman’s funeral, exposing the class and caste hierarchies within the Christian community. Jallikattu (2019) used the primal act of butchering a buffalo to allegorize the savage, animalistic underpinnings of human greed and caste pride. Joji (2021) transposed Macbeth to a rubber estate in Kerala, using the family as an absolute monarchy where caste and inheritance dictate fate.

The foundational period of Malayalam cinema was heavily indebted to Malayalam literature and the Prakriti (nature) of Kerala. Directors like Ramu Kariat and P. Bhaskaran drew from celebrated novels and short stories. mallu resma sex fuckwapicom top