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We employ Henry Jenkins’ concept of (2006) alongside Mizuko Ito’s work on techno-social play (2010). Doraemon games are not mere adaptations but "entry points" that reinforce the franchise’s moral economy: using gadgets to solve problems without relying on easy shortcuts. Furthermore, following Nissim Otmazgin’s theory of "regional soft power" (2014), these games act as cultural ambassadors, teaching non-Japanese players about Japanese school life, festivals, and social hierarchies.

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This pattern aligns with what feminist media scholar Anita Sarkeesian terms the "Healing Princess" trope: female characters whose primary interactive function is to restore male avatars’ agency. The lack of playable Shizuka in mainline adventure games contradicts the anime’s occasional episodes where she leads problem-solving. We employ Henry Jenkins’ concept of (2006) alongside