Jazzpop Basia Discography 19872018 Flac Verified File

Basia Discography (1987–2018): A FLAC-Verified Guide Polish-born singer Basia Trzetrzelewska (known mononymously as Basia) carved a unique niche at the intersection of jazz-pop, Latin rhythms, and sophisticated adult contemporary. Working closely with producer and keyboardist Danny White (ex-Matt Bianco) and percussionist Pauline Gill , she delivered a remarkably consistent catalog over three decades. For audiophiles and collectors, Basia’s music—rich with acoustic bass, live percussion, and layered harmonies—benefits significantly from lossless FLAC (Free Lossless Audio Codec) quality. Below is a verified, release-by-release breakdown of her studio albums from 1987 to 2018.

1987 – Time and Tide Label: Epic Records FLAC Verification Source: Original CD release (EPC 460270 2) / 2015 remaster (Expanded Edition, Cherry Red Records) Her debut remains a masterpiece of late-’80s sophisti-pop. The album was recorded analog on 24-track tape, making a FLAC rip from a well-pressed CD essential. Key Tracks: “Promises,” “New Day for You,” “Time and Tide” Audiophile Notes:

Bass lines by Julian Crampton are deep and articulate. The 2015 Cherry Red expanded edition offers a 24-bit/96kHz FLAC version via Qobuz and 7digital—noticeably better transient response on cymbals. Verify FLACs with auCDtect ; original CDs show 100% CDDA.

1990 – London Warsaw New York Label: Epic Records FLAC Verification Source: Japanese SHM-CD (SICP 3347) / HDTracks 24/96 A more polished, pop-forward album that became her commercial peak (“Cruising for Bruising”). The SHM-CD (Super High Material CD) rip in FLAC reveals micro-details in the vocal reverb and Ronnie Ross’s baritone sax. Key Tracks: “Baby You’re Mine,” “Cruising for Bruising,” “Until You Come Back to Me (That’s What I’m Gonna Do)” Audiophile Notes: jazzpop basia discography 19872018 flac verified

The 2012 HDTracks release (24-bit/96kHz) is not an upscale; verified via spectrogram (frequency response > 22kHz). Avoid early MP3s; the stereo imaging on “Brave New Hope” collapses below 320kbps.

1994 – The Sweetest Illusion Label: Epic Records FLAC Verification Source: European first press (477904 2) / 2018 Remaster (Cherry Red) Her most jazz-oriented album, featuring more improvisational piano and real string sections. This album was digitally mastered early, but the 2018 remaster fixes previous brickwalling. Key Tracks: “Drunk on Love,” “Third Time Lucky,” “Yearning” Audiophile Notes:

The 1994 CD has dynamic range (DR) values of 12–14. The 2018 remaster (FLAC from Cherry Red) preserves DR > 11. Verify FLAC integrity via flac -t ; some early downloads had corrupted sector boundaries on track 5 (“A Gift”). Below is a verified, release-by-release breakdown of her

1998 – Clear Horizon – The Best of Basia (Compilation) Label: Epic Records FLAC Verification Source: UK CD (488550 2) / Streaming FLAC (Tidal Master) While a compilation, it includes two new tracks : “Waters of March” (Jobim cover) and “Clear Horizon.” The new tracks were recorded at R.G. Jones Studios, London. Key Tracks (New): “Clear Horizon,” “Waters of March” Audiophile Notes:

The new tracks were mixed to DAT; FLAC rips show > 20kHz frequency extension. Avoid “remastered” versions from 2004 (loudness war clipping). Seek the 1998 original CD for FLAC verification.

2009 – It’s That Girl Again (Comeback Album) Label: Shanachie Records FLAC Verification Source: CD-R from Shanachie (SHAN 5110) / Bandcamp 16/44.1 FLAC After an 11-year hiatus, Basia returned with a lighter, bossa-infused album. Recorded digitally, but the Bandcamp FLACs are sourced from the original 24-bit masters. Key Tracks: “A Gift,” “Blame It on the Summer,” “I Must” Audiophile Notes: Key Tracks: “Promises,” “New Day for You,” “Time

The CD release is 44.1kHz/16-bit; Bandcamp offers 48kHz/24-bit FLAC (verified by metadata: ORIGINAL_SAMPLE_RATE=48000 ). Spectrograms confirm no ultrasonic noise reduction—natural roll-off above 24kHz.

2018 – Butterflies Label: Shanachie Records FLAC Verification Source: Official FLAC download (Shanachie Store) / Qobuz 24/96 Her final studio album to date, co-produced by Basia and Danny White. Mastered by Andy Vandette (known for Bob Dylan’s Tempest ). This is her most audiophile-friendly release. Key Tracks: “Matteo,” “Bubble,” “Like Crazy” Audiophile Notes: