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Seydoux provides a sophisticated, intellectual counterpoint to Adèle’s earthy spontaneity.

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At the top of the index lies the performance of Adèle Exarchopoulos. It is rare that a film hinges so entirely on a single actor’s physical presence. As Adèle, Exarchopoulos offers a masterclass in naturalism. The camera does not observe her; it inhabits her space. We watch her eat, sleep, cry, and exist in a state of becoming. The camera does not observe her; it inhabits her space

(original French title: La Vie d’Adèle – Chapitres 1 & 2 ) is more than just a film; it is a cultural landmark. Directed by Abdellatif Kechiche and released in 2013, the film won the Palme d’Or at the Cannes Film Festival, making history as the first time the award was given to both the director and the two lead actresses (Adèle Exarchopoulos and Léa Seydoux).